%0 Journal Article
%T Le contr le de l'Univers: la dialettica del potere nelle Histoire(s) du cin¨¦ma di Jean-Luc Godard
%A Michele Guerra
%J Ricerche di S/Confine
%D 2010
%I Universit¨¤ di Parma
%X In Histoire(s) du cin¨¦ma, Jean-Luc Godard finally connects his human being¡¯s existence with history of cinema as uncontrollable stream of images, as a system of screens and mirrors that our experience produces and from which it is produced. The image is the nothing¡¯s negation ¨C Godard says ¨C but also the nothing¡¯s gaze on us. Through an omnivorous cinematographic writing, through the exploitation of quotation¡¯s potentiality of movies ¨C made possible only for a director ¨C, Godard prepares a dialectic mechanism of visual power that points out the individual¡¯s endurance versus images and images¡¯endurance versus the individual. Between film-archive and film-museum, Godard manipulates images until to reveal us their secret power structure.
%K Godard
%K Histoire(s) du cinema
%U http://www.ricerchedisconfine.info/1/GUERRA.htm