%0 Journal Article
%T Colonizing the C te d'Azur: Neo-Impressionism, Anarcho-Communism and the Tropical Terre Libre of the Maures, c.1892-1908
%A Woloshyn
%A Tania
%J RIHA Journal
%D 2012
%I 
%X This article explores neo-impressionist representations of the Maures region (Hy¨¨res-St Rapha l) of the C te d'Azur as an ideal space of anarcho-communist liberty or, to borrow from Jean Grave's Terre Libre: Les Pionniers (1908), a "free land." In doing so it questions art-historical literature of such images as utopian, with its implication of geographic non-specificity, through analyses of anarcho-communist and geographical texts and images. Tropical markers, especially palm trees, feature in Grave's vision of a "free land," corresponding to perceptions by contemporaneous artists, tourists and geographers of the exotic, island-like geography of the Maures. The article argues that, for Henri-Edmond Cross, Paul Signac and Th¨¦o van Rysselberghe, the Maures landscape was imaged and imagined as a sunlit terre libreon home soil, naturally suited to these self-styled pioneers.
%K neo-impressionism
%K the Maures
%K C te d'Azur
%K artist colony
%K anarcho-communism Melanesia
%K Jean Grave
%K Mabel Holland Thomas
%K sunlight
%U http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/woloshyn-colonizing-the-cote-dazur