%0 Journal Article
%T The essence of a dead city=  l¨¹ Bir Kentin Anlam
%A Nevzat O£¿uz £¿zer
%J tasar£¿m + kuram
%D 2011
%I Mimar Sinan G¨¹zel Sanatlar ?niversitesi Mimarl?k Fak¨¹ltesi
%X Do an n mimariyle olan ili kisi g¨¹n¨¹m¨¹z¨¹n do adan kopmu , tamam  ile yapay  evresinde ve kavramsal a  dan karma  k, her insan-bir d¨¹ ¨¹nce, her insan-bir mimari ideal bi iminde  zetlenecek ortam nda ba l  ba  na incelenmesi, sorgulanmas  gereken bir konu olarak g r¨¹nmektedir. Antik d nem Karya kentleri, hem etkileyici do al yap s , hem de i erdi i kavramsal de erler a  s ndan  al  ma yap lacak de erde g r¨¹nmektedir. Bu ama la limanlar, surlar ve teraslar ele al nm  t r. Mimari ile do a aras ndaki ili ki herhalde en iyi bir surun do al relief ¨¹zerinde  izdi i  izginin incelenmesi veya bir teras duvar n n e y¨¹kselti e rileri ile ili kisinin irdelenmesi ile bulunabilir.Bu irdeleme ve incelemeler sonucunda,mimari unsurlar n do a ile ili kisinin temelde yer se imleri  eklinde oldu u g r¨¹lm¨¹ t¨¹r. The relationship between architecture and nature and the concept in today¡¯s isolated and artificial environment which has become alienated to the nature and conceptually complicated, and in which the underlying thought is every man-one idea, every man one architectural ideal, is a subject that calls for rigorous analysis. Caria cities of the Antiquity seems to be worth studying both for its impressive geographical structure and the conceptual values that it possesses. Harbours, fortifications and terraces which are closely related to the shaping of nature are reviewed. Possibly the best way to understand the relationship between nature and architecture is to analyse the line a fortification draws over a natural relief or to observe the relation between a terrace wall and contour-lines. These observations show us that the underlying link between architectural elements and nature is site selection.
%K Karya
%K Yerse imi
%K Do a ve Mimarl k
%U http://tasarimkuram.msgsu.edu.tr/index.php/tasarimkuram/article/view/124