%0 Journal Article
%T La passion de la trace : une gen¨¨se du logogramme et du logoneige de Christian Dotremont
%A Emmanuelle Pelard
%J Trans : Revue de Litt¨¦rature G¨¦n¨¦rale et Compar¨¦e
%D 2011
%I Universit¨¦ Sorbonne Nouvelle
%X Christian Dotremont invente, en 1962, le logogramme, un po¨¨me peint qui d¨¦forme l¡¯¨¦criture alphab¨¦tique, afin de faire advenir la po¨¦sie dans l¡¯engobe m¨ºme du signe graphique. La recherche d¡¯une expressivit¨¦ de la graphie implique une exp¨¦rimentation de la trace ¨¦crite ¡ª le logogramme r¨¦sultant d¡¯un enchassement de traces. En effet, les traces-indices constitutives du paysage lapon, qui inspire la logographie et le po¨¨te, engendrent une trace psychique, le souvenir de Dotremont int¨¦rioris¨¦ et esth¨¦tis¨¦, c¡¯est-¨¤-dire la g¨¦ographie imaginaire ¨¤ l¡¯origine de la trace ¨¦crite qu¡¯est le logogramme. L¡¯invention du logoneige ¡ª un logogramme trac¨¦ dans la neige ¡ª convoque un autre type de trace, photographique, afin de garder un vestige du logogramme de neige. La trace constitue donc le substrat de la cr¨¦ation logogrammatique. In 1962, Christian Dotremont creates the logogramme, a painted poem which deforms alphabetic writing in order to realize poetry in the very heart of the graphic sign. The search for an expressiveness of the graffic form implies an experiment on the written trace ¡ª the logogramme being the result of an interconnection of traces. Indeed, the traces as indications constitutive of the Lapp landscape that inspires the logographie and the poet generate a psychic trace: Dotremont¡¯s interiorized and aestheticized memory, that is to say, the imaginary geography at the origin of the written trace that is the logogramme. The invention of the logoneige ¡ª a logogramme drawn in the snow ¡ª implies an other type of track, the photographic record, in view of keeping a vestige of the logogramme made of snow. Consequently, the trace is the substrate of logogrammatic creation.
%U http://trans.revues.org/459