%0 Journal Article
%T Nicanor Plaza y Francisco Gazit¨²a: di¨¢logo en torno a El Caupolic¨¢n Nicanor Plaza and Francisco Gazit¨²a: dialogue about El Caupolic¨¢n
%A Pedro Emilio Zamorano P¨¦rez
%J Aisthesis
%D 2011
%I 
%X El presente trabajo construye un di¨¢logo entre dos escultores separados por algunas generaciones, pero unidos por un espacio de formaci¨®n art¨ªstica y una tradici¨®n com¨²n: la Escuela de Bellas Artes de Chile. Esta conversaci¨®n informa acerca de la vida y la obra de Nicanor Plaza, considerado como uno de los principales maestros de la escultura chilena, de las tradiciones pedag¨®gicas de la escuela y de la obra El Caupolic¨¢n, una de sus realizaciones m¨¢s importantes. The following paper creates a dialogue between two sculptors that are separated by a few generations, but that are joined by their artistic formation and a common tradition: the Bellas Artes de Chile School. This dialogue provides information about the life and work of Nicanor Plaza, who is considered to be one of the greatest Chilean artists in Sculpting, and the pedagogic tradition of his art school, as well as information about the work El Caupolic¨¢n, one of his most important pieces of art.
%K escultura chilena
%K Nicanor Plaza
%K Francisco Gazit¨²a
%K El Caupolic¨¢n
%K docencia art¨ªstica
%K Chilean Sculpture
%K Nicanor Plaza
%K Francisco Gazit¨²a
%K El Caupolic¨¢n
%K Art Teaching
%U http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0718-71812011000100005