%0 Journal Article
%T Souvenirs d¡¯un auditeur pour un avenir des musiques ¨¦lectroacoustiques?
%A Pascal Decroupet
%J Musica e Tecnologia
%D 2011
%I Firenze University Press
%X The Belgian musicologist examines some aspects of the use of technology in the field of contemporary music production, from the fruition point of view. He consid- ers the revolution that their impact caused by creating a hierarchy of the ¡®acoustic dimension¡¯ that differs profoundly from that inherited from history. By comparing the ¡®acoustic¡¯ sounds with the ¡®electroacoustic¡¯ ones, the author assesses the differ- ent implications of the ¡®musical sense¡¯ of the latter, in relation to their use and their production, stressing the need for a contextualization of their expressive values inside musical composing.
%U http://www.fupress.net/index.php/mt/article/view/9654