%0 Journal Article
%T Tradu  o do ser e da verdade em Jos¨¦ Marinho e Moli¨¨re
%A Cristina Marinho
%J Intercambio
%D 2010
%I Universidade do Porto
%X Theatre, beyond its original mystery and yet in itself, contains, according to Jos¨¦ Marinho¡¯s meditation, the human, intimate drama, the pungent experience of looking for nonrepresentable truth. As a convention representing the world, itself representing other worlds, Theater clarifies, in the same large, baroque Moli¨¨re¡¯s way, the same debate about truth and lie, Poetry and Philosophy confounded, light and shadow images altogether; Marinho¡¯s liberating criticism converges with classical literary renovated canon as far as both destroy a schematic tradition, hostile towards margins, through lucid, uncertain questions. Marinho evokes a verse from L¡¯Avare, he transforms it, developing freely Reason refusing its¡¯ totalitarianism in order to see what Moli¨¨re¡¯s lovers can see of life and joy, thanks to their love.
%K Theatre
%K Philosophy
%K Marinho
%K Moli¨¨re
%K Reason
%K shadow
%K comedy
%U http://ler.letras.up.pt/uploads/ficheiros/9820.pdf