%0 Journal Article
%T 'El origen del drama barroco alem¨¢n' de Walter Benjamin; Consideraciones epistemo-cr¨ªticas
%A Micaela Cuesta
%J Revista Observaciones Filos¨®ficas
%D 2009
%I Pontificia Universidad C¨¢tolica de Valpara¨ªso
%X Origin of the German Tragic Drama (1925) is Walter Benjamin¡¯s Habilitationsschrift but that, not redounding to a post, was, ado, rejected. The present work is in the habit of being characterized as a study corresponding to the field of the theory of the art or the aesthetic critique. Nevertheless, we consider that read in the light of his "Introduction. Epistemo-Critical Prologue" what there finds place is a carrier of an excess: epistemological, political, historical. To these we will seek to direct our questions in order to think around the truth as problem.
%K Knowledge
%K truth
%K idea
%K constellation
%K allegory
%K redemption
%U http://www.observacionesfilosoficas.net/elorigendeldramabarroc.htm