%0 Journal Article
%T La tateana de Yasujir¨­: sobre El fin de la primavera (1949) y El comienzo del verano (1951), de Ozu
%A Garc¨ªa Roig
%A Manuel
%J DC PAPERS : Revista de Cr¨ªtica y Teor¨ªa de la Arquitectura
%D 2011
%I Universitat Polit¨¨cnica de Catalunya
%X The first mansion of which witness is had in the Japanese culture is a simple cabin, the tateana-j kyo. In his traditional architecture the skills of the carpentry reached a high perfection, being applied to the construction of the theatre N . In the Landscape haboku of Sesshu Toy¨®, artist suibokuga, the Indian ink transform the mountain, cabin and barge into elements of an empty space where floats emptiness, Mu, Zen expression. As N , the Japanese housing is an opened stage, including visually the garden to take part of his natural environment. The Japanese house like stage of the N  Theater, and the garden with a tree, for which it is opened, constitute containers of the emptiness and the frames in which Yasujir¨­ Ozu's movies develop. In several notable examples of the recent Japanese architecture, his mediation with the nature is established, precisely, by reference to the mythical meaning of the tree.
%K Yasujir  Ozu
%K japanese house
%K nature
%K tree
%K N  Theater
%K Bakushu
%K Banshun
%U http://hdl.handle.net/2099/11868