%0 Journal Article
%T Las im¨¢genes de C¨®rdoba publicadas en los ¨¢lbumes del centenario =The images of C¨®rdoba published in the centennial albums
%A Boixad¨®s
%A M. Cristina
%J Estudos Ibero Americanos
%D 2010
%I Editora da Pontif¨ªcia Universidade Cat¨®lica do Rio Grande do Sul (EDIPUCRS)
%X Como toda celebra  o comemorativa no nosso pa¨ªs perif¨¦rico, o centen¨¢rio se construiu em um espa o mais de demonstra  o material e intelectual para acercar a argentina aos pa¨ªses mais desenvolvidos do mundo ocidental. O centen¨¢rio tornou-se vis¨ªvel na ind¨²stria gr¨¢fica, atrav¨¦s da impress o de uma s¨¦rie de ¨¢lbuns, enorme livros-cat¨¢logos, que resumiram o af  propagandista das riquezas do pa¨ªs. Nesses ¨¢lbuns, a fotografia ocupou um papel central para os fins exibicionistas e formadores de argentinidade e nacionalismo. Nesse sentido, passaremos a analisar o discurso que se construiu atrav¨¦s das imagens da cidade e/ou estado de C¨®rdoba, que se bem foram usadas como meras ilustra  es, foram construtoras do outro discurso, neste caso, provindos de editores, fot¨®grafos, enfim profissionais foraneos ¨¤ localidade que nos ocupa. Nosso recorte permitir¨¢ conhecer as condi  es de produ  o e circula  o que as mesmas tiveram na ¨¦poca, nos perguntando se a publica  o dos ¨¢lbuns exigiu um relevamento fotogr¨¢fico espec¨ªfico. As all of the commemorative celebrations of a peripheral country, the centennial became one more show of the material and intellectual demonstration in order to bring Argentina to the more developed countries of the western world. The centennial was visible in the graphic industry by printing a series of Albums, huge catalogue- books, generally with leather covers that summarized the propaganda effort of wealth of the country. In these albums, photography played a central role for the exhibitionists purposes and formers of Argentina and nationalism. In this sense, we will get to analyze the discourse, that was constructed through the images of the city or province of C¨®rdoba, that although they were used as mere illustrations, they were building another speech, in this case from publishers, photographers; finally, foreign professionals of the area in question. Our cut will allow us to know the condition of production and circulation they had at that time, wondering if the publishing of the albums demanded a specific photographic survey; if each work required a particular job and therefore.
%K ARGENTINA - HIST¨®RIA
%U http://revistaseletronicas.pucrs.br/ojs/index.php/iberoamericana/article/view/7852/5567