%0 Journal Article
%T The Restoration of Paintings at the Imperial Hermitage (Saint-Petersburg) at the Beginning of the 19th Century
%A Mariam Nikogosyan
%J CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
%D 2012
%I CeROArt
%X Le d¨¦but du XIXe si¨¨cle fut une p¨¦riode charni¨¨re pour l¡¯histoire de la formation des restaurateurs en Russie. F.K. Labensky, conservateur de la Galerie de l¡¯Ermitage de 1797 ¨¤ 1850, met en place un atelier de restauration avec un personnel permanent, travaillant sur la collection de la peinture imp¨¦riale. Assistant de Labensky, restaurateur A.F. Mitrokhine, apprend toutes les techniques connues de restauration m¨¦canique - doublage, parquetage et m¨ºme transposition des peintures, - et les d¨¦veloppe. Une ¨¦cole sp¨¦ciale est cr¨¦¨¦e pr¨¨s de l¡¯atelier de l'Ermitage ¨¤ 1819, supervis¨¦ par Mitrokhine, ou les jeunes dipl m¨¦s de l'Acad¨¦mie imp¨¦riale de l'Art se familiarise ¨¤ la fois avec la restauration m¨¦canique et picturale des peintures. Les apprentis de l'¨¦cole de Mitrokhine transmettent ensuite ses techniques ¨¤ la prochaine g¨¦n¨¦ration de restaurateurs de l¡¯Ermitage. The beginning of the 19th century was a period of formation of restoration school in Russia. F.K.Labensky, Curator of the Hermitage Picture Gallery from 1797 onwards till 1850, arranged a restoration studio with a permanent staff working on Imperial painting collection.  Labensky¡¯s assistant, a restorer A.F. Mitrokhin learned all known techniques of mechanical restoration ¨C relining, cradling and even transfer of paintings, - and developed them on his own. A special school was established by the Hermitage studio in 1819, supervised by Mitrokhin, were young graduates of Imperial Academy of Art were taught both mechanical and painting restoration. The apprentices of Mitrokhin school passed his techniques to next generation of Hermitage restorers.
%K restoration
%K Hermitage
%K Labensky
%K Mitrokhin
%K school
%K transfer
%K restauration
%K Ermitage
%K Labensky
%K Mitrokhine
%K ¨¦cole
%K transposition
%U http://ceroart.revues.org/2344