%0 Journal Article
%T Interstition Linguistic and Poetic Interspaces Through a Prism of £¿a-kaj-£¿to on the Example of a Poetic Collection of Drago £¿tambuk Kad su mi£¿i balali molfrinu
%A Jurdana
%A Vjekoslava
%J -
%D 2018
%X Sa£¿etak The paper portrays and analyzes the poetic collection of Drago £¿tambuk £¿Kad su mi£¿i balali molfrinu: pjesme kroz prizmu £¿a-kaj-£¿to£¿ through a literary theoretical key. In a narrow linguistic sense this collection is a poetic certification of the golden formula £¿a-kaj-£¿to, coined and relentlessly promoted by the Croatian poet, essayist, anthologist, translator, cultural worker, physician and diplomat Drago £¿tambuk. The golden formula of Croatian language £¿a-kaj-£¿to summarizes and represents/ depicts the essence of Croatian language as a three-layer language, made up of three parts (stylization or idiom/accent) Chakavian, Kajkavian and Shtokavian. This threefold frame opens a space of unlimited possibilities of poetic inventions which, as is hereto portrayed, correspond to actual processes of meta-postmodernism. The concrete poetic language of the stated collection by Drago £¿tambuk, is decoded in the light of reception theory as significantly more complex when compared to the natural language, and the entire considered artistic structure is recognized as a poetic sign in the game-playing mode
%K Drago £¿tambuk
%K poetry
%K golden formula
%K £¿a-kaj-£¿to
%K game.
%U https://hrcak.srce.hr/index.php?show=clanak&id_clanak_jezik=311860