%0 Journal Article
%T 后人类主义视域下的身体感知与情感认同——以《银翼杀手2049》为例<br>Physical Body Perception and Affective Identification from the Perspective of Post-Humanism—Taking Blade Runner 2049 for an Example
%A 田茹雪
%J Art Research Letters
%P 22-26
%@ 2326-3482
%D 2023
%I Hans Publishing
%R 10.12677/ARL.2023.121004
%X 电影《银翼杀手2049》在展现复制人为了生存而与命运抗争到底的叙事主线的同时，也凸显了人类身体与技术之间相互嵌合又彼此断裂的事实。影片中的人物在自身认知和情感交融中得到了自我指认，在“我思”中逐渐实现身份认同。本文将从身体认知、情感投射、身份认同等角度出发，在后人类主义视野下，对影片《银翼杀手2049》中的身体感知与情感认同进行探究和解析，在此基础上重新思考何以为人以及人类与非人类的关系问题。<br />
The movie Blade Runner 2049 demonstrates the main storyline of replicants’ struggle against fate for survival, and at the same time, highlights the fact that human body and technology are integrated and then broken apart from each other. The characters in the movie obtain self-identification from self-awareness and affective integration, and also gradually realize their identity in “self-cogitation”. This paper will explore and analyze the physical body perception and affective identification in the movie Blade Runner 2049 from the perspective of post-humanism, through the aspects of physical body cognition, affective projection, and identity. On this basis, rethink the nature of humans and the relationship between humans and non-humans.
%K 《银翼杀手2049》，后人类主义，身体感知，情感认同<br>Blade Runner 2049
%K Post-Humanism
%K Physical Body Perception
%K Affective Identification
%U http://www.hanspub.org/journal/PaperInformation.aspx?PaperID=61091