%0 Journal Article
%T 接受美学视角下《狂飙》的叙事创新表达分析<br>Analysis of the Narrative Innovation Expression of The Knockout from the Perspective of Reception Aesthetics
%A 班恩琼
%A 李明宇
%A 刘蕙旻
%J Art Research Letters
%P 257-262
%@ 2326-3482
%D 2023
%I Hans Publishing
%R 10.12677/ARL.2023.123043
%X 《狂飙》以过去、现在的时间线为经，在罪案悬疑谜题抛出时戛然而止，剧情十分紧凑；以人性的复杂为纬，从真实生活中塑造典型人物。本文从接受美学的视角分析《狂飙》通过作品与历史社会环境的互动完成对观众“先在经验”的召唤与“文学的历史性”的建设，利用对主角安欣的塑造达成观众的“定向期待”，而在真实、立体的正反人物塑造上又达成观众的“创新期待”，在人物互相纠葛的命运沉浮以及多元复杂的人性张力之间折射该剧“召唤结构”在丰富的情感叙事完成体验建构。多维度的叙事创新造就该剧成为开年大剧中现象级作品。<br />
Based on the time line of the past and the present, The Knockout ends abruptly when the crime mystery puzzle is thrown out, and the plot is very compact; taking the complexity of human nature as the latitude, shape typical characters from real life. From the perspective of reception aesthetics, this paper analyzes The Knockout between the work and the historical and social environment to complete the call of the audience’s “prior experience” and the construction of “the historicity of literature”. The “directional expectation” of the audience is achieved by the shaping of the protagonist An Xin, and the “innovative expectation” of the audience is achieved in the real and three- dimensional positive and negative characterization. The ups and downs of the characters’ entangled fates and the complex tension of human nature reflect the “calling structure” of the play in the rich emotional narrative to complete the experience construction. The multi-dimensional narrative innovation has made the play a phenomenon-level work in the opening year drama.
%K 《狂飙》，接受美学，先在经验，期待视野<br>The Knockout
%K Reception Aesthetics
%K Preceding Experience
%K Horizon of Expectation
%U http://www.hanspub.org/journal/PaperInformation.aspx?PaperID=70824