%0 Journal Article
%T 后人类主义思潮下的影视特征——以《黑镜·全民公敌》为例
Film and Television Characteristics under the Trend of Posthumanism—Taking “Black Mirror∙Public Enemies” as an Example
%A 孙尚灯
%J Art Research Letters
%P 308-312
%@ 2326-3482
%D 2024
%I Hans Publishing
%R 10.12677/arl.2024.134045
%X 在人工智能、仿真技术、生命科学等快速发展的时代土壤上而产生的后人类主义思潮，给传统人文科学和社会科学带来了巨大的冲击，同时也深刻影响了当代影视艺术的蓬勃发展。后人类主义思潮拓宽了科幻电影美学的边界的同时，也使得后人类主义题材的电影在实践中具有自身独特的特征。这种影像的实践又反过来启迪深化了后人类主义的思考，给人类发展带来具有思辨性与哲学性的思考。《黑镜·全民公敌》便是后人类主义思潮下，对人类理性和人文精神反思的一次典型的影像实践。
In the era of rapid development of artificial intelligence, simulation technology and life science, the posthumanism trend of thought has brought a huge impact on the traditional humanities and social sciences, and also profoundly affected the vigorous development of contemporary film and television art. While the posthumanist trend of thought broadens the aesthetic boundary of science fiction films, it also makes posthumanist films have their own unique characteristics in practice. The practice of this kind of image in turn enlightens and deepens the thinking of posthumanism, and brings the thinking of human development with thinking and philosophy. “Black Mirror∙Public Enemy of the People” is a typical image practice reflecting on human rationality and humanistic spirit under the trend of posthumanism.
%K 后人类主义，
%K 近现代，
%K 隐喻
Posthumanism
%K Modern Times
%K Metaphor
%U http://www.hanspub.org/journal/PaperInformation.aspx?PaperID=99775