%0 Journal Article
%T Prat de Teatro de Chile: Una f¨¢bula nacional pr¨®fuga atravesando las junturas entre arte y pol¨ªtica
%A Carvajal
%A Fernanda
%J Atenea (Concepci¨®n)
%D 2010
%I Scientific Electronic Library Online
%R 10.4067/S0718-04622010000200005
%X this article takes as starting point the play prat, of the company teatro de chile, whose first performance in the year 2002 appeared so disjointed and impertinent that it unleashed a polemic involving ultra conservative sectors, the ministerial bureaucracy and the artistic world, revealing the fissured zones of a truncated democratic transition. thus, this text begins with an aesthetic-artistic analysis of the play, to then look over the speeches - collected from the press and from personal interviews - of the different po-litical and artistic agents, who engaged in the controversy about prat¡¯s first performance. finally, we outline some reflective notes about the role of cultural institutionalism in the theatrical field, and a critical review of bourdieu¡¯s category of relative autonomy to understand the artistic fields.
%K theatre
%K politics
%K censorship
%K cultural institutionalism
%K relative autonomy
%K democratic transition.
%U http://www.scielo.cl/scielo.php?script=sci_abstract&pid=S0718-04622010000200005&lng=en&nrm=iso&tlng=en