%0 Journal Article
%T An¨¢lise de uma an¨¢lise: Tarasti e Liszt
%A R¨®nai
%A Laura
%J Per Musi
%D 2012
%I Escola de M¨²sica da UFMG
%R 10.1590/S1517-75992012000100012
%X in his fundamental book, a theory of musical semiotics, eero tarasti endeavors to analyze liszt's piano workvall¨¦e d'obermann from the point of view of semiotics. in a process of clever musical archaeology, the author reveals the many layers that color the score of the hungarian composer. the present article intends to make a few observations at the margin of this text, trying to detail and comment the analysis by one of the most important semiotics theorists in the world.
%K liszt
%K tarasti
%K musical semiotics
%K vall¨¦e d'obermann.
%U http://www.scielo.br/scielo.php?script=sci_abstract&pid=S1517-75992012000100012&lng=en&nrm=iso&tlng=en