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OALib Journal期刊
ISSN: 2333-9721
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ISSN Print: 1307-9840
ISSN Online:
主页:
http://dergipark.org.tr/yedi
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Mu?zik Tarihinde Chiquinha Gonzaga K?r?lmas?: Kad?n?n Yarat?c? Gu?cu?
Lilian Maria Tonella Tüzün
A Tailor’s Book: “Bi?ki Nazariyat ve Kavaidi”
Kenan Saat??o?lu
The Importance of Documentation Studies on the Conservation Condition of Canvas Paintings in Museum Collections
Berna ?a?lar Eryurt
The History of Rebus and Where It is Used
Ece ?al?? Ze?erek
Searching the Traces of Dialogical Aesthetics in Digital Art
Canan Arslan
Concepts And Terms The Techniques Dyeing And Printing On Different Culture
Elif Kurtuldu
,
Leyla Y?ld?r?m
?zmir Historic Aksek iHan Tiles Certification And Protection Proposal
Serap I?IKHAN
The Situation of Traditional Turkish Ceramic in Ceramic Education
Vedat KACAR
The Search For A Contemporary Language On Stage In the Context of Gezi Plays
Yunus Emre GüMü?
Change of paradigm that lead to a transition of topic mainly towards “culture” in social studies and intellectual life after World War II and intersection of new searches in theater triggered by avangards in the beginning of 20th century occur with the increase in intercultural studies during 60s and 70s. The cross-cultural theater theory and practices of Peter Brook offer a binary possibility to both comprehend the change of intellectual paradigm in the micro framework and to think about the role of cross-cultural theater in evolvement of theatre from text- based to stage-based theatricality. On the other hand, especially discussions following Mahabharata production enlightens paradoxes of changing intellectual paradigm.
Emre YAL?IN
Reading A Film Semeiologically: Milcho Manchevski And Before The Rain
Banu ?AKMAK DUMAN
Shifting Paradigms in Art: The Relationship Between The Artist, Work and Audience
EVR?M ?ZESK?C?
The Autobiography of Killing: which one is Real Easterman? The Autobiographic Performance On the Track of Narrative Psychology as a Social Constructionist Approach
T.G?zde PEL?STER
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