Recognition of Cultural Identity in Banat (1867-1918)

Ioana Banaduc

Subalternity as Margin and Center of Anachronistic Discourse

Patrick Matthew Farr

The Complexities of Carnival Identities in Earl Lovelace’s The Dragon Can’t Dance

Ann Marie Simmonds

Power of Recognition and Redistribution: An Analysis of the Advocacy Strategies of the National Alliance for Mental Illness

Patricia Boyd

Occidentalism as a Strategy for Self-exclusion and Recognition in Mohja Kahf’s The Girl in the Tangerine Scarf

Ishak Berrebbah

Recasting Africanness: Ignatius Sancho and the Question of Identity

Banjo Olaleye

Labels, Stigma Management and Social Identity Formation of a Mountain People in Central Panay, Philippines

Mary Acel D. German

Endless Becoming: Identity Formation in Michèle Roberts’ Flesh and Blood

Krisztina Kitti Tóth

The Sauk and Mesquakie Cultural Resistance to Settler Colonialism

Roger L. Nichols

Language in the War-Zone: The Power of Translation in Rajiv Joseph’s Bengal Tiger at the Baghdad Zoo

Approaches to Translating Poetical Prose

Using Translation in Foreign Language Teaching to Understand a Foreign Culture

Form and Meaning in Literature: Deixis and the Portrayal of Personal, Social and Financial Relations in Pride and Prejudice

Teaching Critical Discourse Analysis in English and French

Translating Orality: Pictorial Narrative Traditions with Reference To Kaavad and Phad

Translation as Intertextual Creativity: A Case Study on La Galatea in French and in Turkish

Communicating Culture through Online Compliments

The Endless Story of Giving Voice to the Other: Translating Poets Cyprian Norwid and Barbara Sadowska

Literary Genres vis-à-vis: Novel-Masnavi and the Position of the Narrator

The Return of England in English Literature, by Michael Gardiner. Palgrave Macmillan, 2012. ISBN: 978-0230319479