Journal Generic

Ojomus Edit？r

INSTRUCTORS’ VIEWS ON CONCURRENT APPLICATIONS OF PIANO AND GUITAR LESSONS

？. Sayg？n ？ET？NER

OPERA UNDER THE INFLUENCE of ORIENTALISM: GIACOMO PUCCINI’S MADAME BUTTERFLY OPERA AS an EXAMPLE

Sercan Bayri

A RESEARCH ON THE MUSIC TEAHCER CANDIDATES’ USE OF NOTATION SOFTWARE PROGRAMS (NECMETT？N ERBAKAN UNIVERSITY SAMPLE)

Ceyhan ？z,Hasan Delen

EDUCATIONAL MATERIALS FOR VIOLA USED IN FINE ARTS HIGH SCHOOLS AND MUSIC EDUCATION DEPARMENTS

？nder MUSTUL,？rem Sude YILMAZ

APPLICATIONS OF VIOLIN EDUCATION IN CHILDREN WITH PHYSICAL DISABILITIES; CASES STUDY

Hande K？l？n？l？

UNIVERSALLY RECOGNIZED INSTRUMENTAL GASTRONOMIC BEHAVIOUR

Samuray Hakan BULUT

SOME DETERMINATIONS ON THE IBRADI TURKISH FOLK MUSIC

Sertan DEM？R,？zge SANCAR

METAPHORIC PERCEPTIONS OF VIOLIN COURSE TRAINEES ABOUT THE CONCEPT OF "MUSIC"

Ecenur MU？MUL,Zühal D？N？ ALTUN

RECOMMENDATIONS FOR THE BEGINNER JAZZ MUSICIANS WITH THE EXPERIENCED JAZZ MUSICIANS POINT OF VIEW

Ahmet Kerim ACAR,Yi？itcan KESENDERE

GUITAR AND TECHNICAL DEVELOPMENT OF RELATIONSHIP RIGHT HAND

Umut Volkan YILMAZ

THE EXAMINATION OF MUSICAL CHARACTERISTICS OF THE JOE SATRIANI'S “ASIK VEYSEL”

Serkan KARAASLAN,？evki ？zer AK？AY

THE INVESTIGATION OF MUSIC COURSE CIRRICULUM AND COURSE CONTENTS OF CLASSROOM TEACHING DEPARTMENTS

M. Soner YILMAZ,？ebnem ORHAN

Dergi Jenerik

OJOMUS EDITOR

SILENCE IN THE DILEMMA OF TRADITION AND MODERNITY: “MUSICAL REVOLUTION”

Sinem ？RTEN

ANALYSIS OF CELLO, PIANO, VIOLIN, VIOLA AND FLUTE SHEET MUSIC BOOKS PUBLISHED IN TURKEY

Necla URHAL,ümit Kubilay CAN

MUSICAL ANALYSIS OF KOCAELI FOLK SONGS

Gül？en ERDAL

DüNYADA MüZ？K ARA？TIRMALARINA GENEL B？R BAKI？ VE KKü I. ULUSLARARASIL MüZ？K ARA？TIRMALARI ？？RENC？ KURULTAYI

Journal Generic

OJOMUS EDITOR

EXAMINING POSTGRADUATE THESES THAT MADE IN THE FIELD OF CHOIR BETWEEN THE YEARS 2011-2018 IN TURKEY IN TERMS OF SOME PARAMETERS

Ezgi ERTEK BABA？,H. Seval K？SE

EXPERTISE VIEWS OF THE STRUCTURAL AND TECHNICAL CHARACTERISTICS OF THE MEY INSTRUMENT

Hasan Hüseyin ？AH？N

THE LIFE, POEMS and FOLK SONG of the MINSTREL / FOLK POET SüLEYMAN DUMAN

Cem GüNE？

EVALUATION ON HAMPARSUM NOTATION NOTEBOOK IN ISTANBUL ARCHAEOLOGY MUSEUMS LIBRARY

Duygu TA？DELEN

EXPERT OPINIONS ON STRUCTURAL AND TECHNICAL CHARACTERISTICS OF BOWED TANBUR

Cenk ？？L

FROM THE OTTOMAN MODERNIZATION PERIOD TO THE REPUBLIC: “STATE INTERFERENCE IN MUSIC SOCIAL TRANSFORMATION PROCESSES”

Nilgün SAZAK,Sinem ？RTEN

THE IMPORTANCE OF FOUR-HAND USE IN PIANO TRAINING AT THE BEGINNING STAGE

Enver TUFAN,Zülal KARAKU？

HAFIZ KEMAL TEZERG？L, THE MUSICIAN MUEZZ？N OF BEYOGLU AGA MOSQUE

Ahmet HAS？PEK

INVESTIGATION OF THE CULTURAL AND MUSICAL PROPERTIES OF THE BALKAN COUNTRIES

？lker KAPANCIG？L

RELATIONSHIP BETWEEN MUSICAL INTENTIONS AND LOCATION CHOICES OF STREET MUSICIANS: ISTANBUL, KADIKOY EXAMPLE

？smail Burak MALKO？

EXERCISE HABITS OF THE STRING STUDENTS STUDYING AT FINE ARTS HIGH SCHOOLS AND MUSIC TEACHING DEPARTMENTS OF EDUCATION FACULTIES (BALIKESIR EXAMPLE)

Burcu ？NEYKAN,Cansevil TEB？？

THE ？NTERACT？ON W？TH MUS？C TYPES OF THE BRA？N WAVE ASTETHA, ALPHA, SMR; A WORK OF THE NEXUS-10 EEG

Dilek Deniz KAYALAR,Nilgün SAZAK

CLASSIFICATION OF THE MUSICAL WORKS PERFORMED BY MUHARREM ERTA？ AND HACI TA？AN IN TERMS OF DIFFERENT ASPECTS

Fahrettin ？ZDE？,Sertan DEM？R