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OALib Journal期刊
ISSN: 2333-9721
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ISSN Print: 2149-7079

ISSN Online:

主页: http://dergipark.org.tr/smead

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AN ANALYSIS OF FINE ARTS HIGH SCHOOL MUSIC DEPARTMENT STUDENTS’ UNIVERSITY PREFERENCE TENDENCIES AND THEIR PERCEPTIONS TOWARDS TURKISH BAND NON-COMMISSIONED OFFICER VOCATIONAL HIGHER EDUCATION SCHOOL

Levent Deniz,Mehmet Ali A？？ks？z,Mehmet K？lba？

EARLY PIECES COMPOSED WITH 12 TONE TECHNIQUE ON CLASSICAL GUITAR REPERTOIRE AND APPLICATION OF TONE ROWS

Erkan Mehmet Karagülle

PICTORIAL DESCRIPTION-TONAL STRUCTURE RELATIONSHIP IN R. SCHUMANN’S “ERSTER VERLUST”, OP.68: A SCHENKERIAN APPROACH

Giray Ko？aslan,Mehmet Yüksel

TOOLS OF EFFICIENCY IN CHORAL REHEARSAL

Burak Onur ERDEM

DEVELOPMENT OF PIANO ART IN THE YEARS OF INDEPENDENCE OF UZBEKISTAN (1991-2018): AN OVERVIEW OF PIANO WORKS OF NEW GENERAT？ON PIAN？STS AND COMPOSERS

Zerin Rasul

UNDERSTANDING ？RUT？’S

Burcu TUNAKAN,Serkan ？Z？？FC？

FROM “RETURN TO RITUAL” TO “INTERCULTURALISM” : PROJECTIONS IN PETER BROOK’S STAGE PERFORMANCES AND “MAHABHARATA”

Burcu Kan

SCHENKER ANALYSIS: J.S. BACH’S PRELUDE IN G MINOR, BWV 929

Mehmet Yüksel

PERFORMANCE PRACTICE IN MOZART, BEETHOVEN AND SCHUBERT

Bar？？ Lütfi BüYüKYILDIRIM

MILITARY MUSIC AND MILITARY MUSIC EDUCATION IN TURKISH STATE TRADITION

Erkut ？a？lak,Sevil Filiz

THE ROLE AND IMPORTANCE OF THE FAMILY IN SUZUKI METHOD

Jülide YAL？IN DITTGEN

PERCEPTION OF IMMIGRATION IN TURKUS (TURKISH FOLK SONGS)

Timur Vural

AN EXAMINATION OF RICHARD STRAUSS’ - DON QUIXOTE “PHANTASTISCHE VARIATIONEN üBER EIN THEMA RITTERLICHEN CHARAKTERS” AND THE SOLO VIOLA PART FROM THE ANGLE OF A PERFORMER

Ali Ba？e？mezler

VIRTUOSITY IN TURKISH MUSIC: EXAMPLE OF “TANB？R？ CEM？L BEY” AND DERYA TüRKAN WITH THEIR INSTURMENT CLASSIC KEMANCHA

Hande Ta？？e？me

BAND CONDUCTING AND BAND EDUCATION REGARDING TO THE LATEST REGULATIONS IN TURKEY

Do？an ？akar

SCHENKERIAN ANALYSIS OF J. S. BACH’S BWV 254 CHORALE HARMONISATION ACCORDING TO LORI BURNS’ APPROACH (Ach Gott, Erh？r’ Mein Seufzen)

Ferhat ？AYLI,Mehmet YüKSEL

ANALYSIS OF WITOLD LUTOSLAWSKI’S ‘SACHER VARIATION’ FROM THE POINT OF COMPOSITIONAL TECHNIQUE

O？uz Usman

MEMET BAYDUR’S DRAMATURGY: FROM LIFE-PLAY RELATIONSHIP TO STRATEGY OF “THE PLAY WITHIN THE PLAY”

Hasan ？rfan BUZCU,Türel EZ？C？

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