‘Shortsight’ Problem of the Modern Individual: Analysis of the Film ‘The Lobster’ on the Context of Foucault’s Subject and Power Concepts

Can Diker

Revolt Subjectivity in Modern Capitalism: Demolition (2015)

Murtaza Talha Alt？nkaya

THE IMMANENCE OF SYMPATHY AND EMPATHY IN THE CONTEXT OF AUDIENCE-CHARACTER RELATIONSHIP: AS AN EXAMPLE “REAR WINDOW”

Süleyman K？van？ Türkgeldi

The Deconstruction Analyses of M. Butterfly

Meral Serarslan,Zühre canay Güven

Can Documentary Filmmakers Be a Parrhesiastes? A Glance of Documentary Film History in Turkey via Notion of “Telling the Truth”

Hakan Aytekin

Nature, Man and Technique: Rewatching 2001: A Space Odyssey with Heidegger

Deniz Kurty？lmaz

Humanism and Mechanics In Critical Theory: How Alex Murphy Becomes RoboCop?

Deniz Kurty？lmaz

Father-Son Relationship in Terms of Psychoanalytic Approach: Gi？e Memuru and Be？ Vakit Films

Semih Salman

The ‘Other’ as an Alien: A Postcolonial Reading of the Movie District 9

Ece Vitrinel

Political Film: The Dialectics of Third Cinema - Mike Wayne - Reviewed by Ahmet D？nmez

Yvette Biro, Turbulence and Flow in Film: The Rhythmic Design - Revied by Ula？ I？？klar

Interview with Ercan Kesal

Straightening The “Winding Drina”: Heroism, Evil and Forgiveness In The Film Krugovi

Emek ？ayl？ Rahte

Opinions On Film Spartacus Within the Framework of Hegel’s Master-Slave Dialectics

G？khan Gültekin

Opposing position in Lars von Trier Cinema and Cinematographic Traces of the Perpetrator in front of the Structure Dancer in the Dark Musical Example

Gamze YILMAZ GüNTAY

The Image of The Woman Journalist and “Free Press” Myth in The Post

Bar？？kan ünal

Bergsonesk Critique of Semiotic Film Analysis

Mustafa Kemal Sancar

Richard Linklater’s Slacker Film and a Public Space Analysis from Ancient Greek Perspective

？ZGE N？LAY Erbalaban gürbüz