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Creative Artist: A Journal of Theatre and Media Studies

ISSN Print: 2006-6910

ISSN Online:

Website: http://www.ajol.info/index.php/cajtms/issue/archive

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The Character and the Dramatic Action: A Playwright’s Window on Ovonramwen in Ola Rotimi’s Ovonramwen Noghbaisi

S Ukala

Corruption and Minority Rights in a Democratic Dispensation: A Study of The Gods and the Scavengers

O Obianenue

TFD, Environmental Degradation and Health Issues

E Obonguko

The Director as a Theatre Critic: The Case of Dapo Adelugba

N Nnenyelike

Engendering Women in Onwueme’s Drama: Then She Said It Discussed

JSS Methuselah

Trojan women in contemporary perspectives: Dual readings of two recent adaptations

NE Izuu

Aso Ebi: Fashioning self through photography and 'fashion' magazines in Nigeria

O Nwafor

Dramatic literature for development: Imperatives of Nwamuo's save our lives and Duruaku's a question of choice.

KS Ogbonna

Nigerian home video movies and enhanced music involvement

AM Makhu

Nigeria and development in the 21st century: The theatre for development alternative

OL Rasheed

Costume and make up in cultural development

M Abuku, C Odi

Women, their own worst enemies: A comparative study of Tess Onwueme's go Tell it to women and the reign of Wazobia

R Ode

Oloja Masquerade performance of Igala as theatre of transition

FU Egwuda-Ugbeda

Nigeria's political leadership and a haunting past: A postcolonial interpretation of Ojo Rasaki's this land must sacrifice

N Uche-Chinemere

The Nigerian film industry and literary adaptation: The journey of things fall apart from page to screen

UN Wachuku, CU Ihentuge

Drama as a tool for combating HIV/AIDS in Nigeria: A reading of Tracie Utoh's "Cauldron of Death" and Victor S. Dugga's "Hope Harvesters"

AN Nwanya

Researching the Theatre in the Third World: Issues and Insights

AA Adeoye

Functions and Dysfunctions of Mass Communication Media

MS Rabiu

Gender, Power and Political Leadership in Nigeria: Lessons from Selected Plays of Tess Onwueme

ME George-Genyi

Dance: A Psychosocial Tool for Child’s Development

N Akas

The drama in cross-cultural marriages and stereotypes in central Nigeria: The tiv-igede paradigm in the global age

GA Doki

Problem-solving in management: Peculiarities of the arts

JO Umukoro

The Igbo ethnic nationality: Key players in the Nigerian video film industry

F Nwafor

Gender identity: A force in Igbo traditional musical practices

EU Ibekwe

Zulu Sofola and the Nigerian Theatre Influences and Traditions

KE Eni

Body Adornment Practises in Nigerian Culture a Multi-Ethnic Investigation

T Utoh-Ezeajugh

Costume and Make-Up as Indispensable Arts in Theatre Practice : A Historical Survey

O Shuaib

The Film Medium: A Potential Instrument for Improving the Lives of the Physically Challenged in the Nigerian Democracy

C Abone

Women as Iconic Paradox The Ebira-Ekuechi Facekuerade Performance Example

SE Ododo

Travelling Theory The Feminism and Womanism of Tess Onwueme

AD Akoh

Between Aidoo’s Feminism and Sofola’s De-Womanisation: Issues and Perspectives in African Gender Discourse

IA Emenyi

The Empowered Women in Ahmed Yerima’s Drama

OC Ezenwanebe

From the stage to the screen: The exegesis of adaptation in acting

BF Ayakoroma

Osofisan and the paradox of a literary style

EK Efakponana

Oral performance as siren: The example of Ozoemena Nwa Nsugbe

A Asigbo

Rising Profile of a Female Dramatist Irene Isoken Salami and New Nigerian Woman-Centred Drama

MIE Evwierhoma

Antigone in Yoruba Land Some Remarks on the Conception of Tegonni, an African Antigone

F Osofisan

African War Films and The Tragedy of Ethnic Tensions

AA Akpuda

The Challenge of Reality in Pieter Hugo’s Photography

O Nwafor

The Auteur as a Socio-Political Commentator: A Reading of Selected Films of Teco Benson

IC Udoka

Facilitating Communication by Promoting Bilingualism Among Products of Intermarriages in Nigeria

CC Utoh-Ojemudia

Tenor of Humanism Re-reading Feminity in the Drama of Tracie Utoh-Ezeajugh

NE Izuu

Strategies for the development of tourism and theatre industries in Nigeria: Rivers state perspective

HL Bell-Gam

Towards adapting the Nigerian video film into a teaching tool in primary and secondary schools

G Gwam – Nzekwu

Communicating environmental issues to post-modern urban audiences through popular arts

L Betiang

Costume and make – up in theatre practice: An appraisal

AJ Oklobia, LE Bakare

Postulations and theories of Nigerian makeup designs

EDE Nwachukwu

Filmic representation in postcolonial discourse: A study of selected film texts

ED Emelobe

Towards the implementation of the Nigerian cultural policy for the promotion of culture in Nigeria

E Samuel, G Chimeziem

Theatre and economic empowerment of rural women in Bayelsa state: The adagbabiri experiment

C Odi

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