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RIHA Journal

ISSN Print: 2190-3328

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主页: http://www.riha-journal.org

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Art and politics in the former "Portuguese Colonial Empire". The monument to Mouzinho de Albuquerque in Louren o Marques

Verheij, Gerbert

"Ein gro er Vorsprung gegenüber Deutschland". Die niederl ndischen Architekten auf der Bauhausausstellung von 1923 in Weimar

van Bergeijk, Herman

Partnership between painters and sculptors in 17th-century Spain: on model drawings by Francisco Rizi for an altarpiece of the Expectant Virgin

Lamas-Delgado, Eduardo

National treasure or a redundant relic: the roles of the vernacular in Czech art

Filipová,, Marta

Miasta podwójne w państwie krzy ackim – przyk ad Torunia

Krantz-Domas？owska, Liliana

Double cities in the Teutonic state on the example of Toruń

Krantz-Domas？owska, Liliana

In the Artist's Studio with L'Illustration

Esner, Rachel

Vincenzo Scamozzi als Leser der antiken Schriftquellen und Denkm ler: Der "Indice copiosissimo" zu Sebastiano Serlio

Davis, Margaret Daly

L'idea della architettura universale: Vincenzo Scamozzis Grundlegung einer Theorie der Architektur

Oechslin, Werner

(Anti-)Biography and Neo-Impressionism

Foa, Michelle

Das Inkarnat in der griechischen Malerei

Schmuhl, Yvonne

Doing Language: Narratives from an Activists' World in the Austrian Art World of the 1990s

Fotiadi, Eva

Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900

Dymond, Anne

Contesting "Le corps militaire": Antimilitarism, Pacificism, Anarcho-Communism and 'Le Douanier' Rousseau's La Guerre

Brauer, Fae

Claude Monet, mentor ou repoussoir de la génération néo-impressionniste?

Maingon, Claire

Views of Peace and Prosperity – Hopes for Autonomy and Self-Government, Antwerp 1599

Cholcman, Tamar

Challenging the Precepts of Modernism: The Late Work of J.F. Willumsen

Gregersen, Anne

Polish students at the Académie Julian until 1919

Zgórniak, Marek

'Peintre de Sa Majesté Britannique'. Franz Adolph of Freenthal and his portrait of Maximilian Hamilton, Prince-Bishop of Olomouc

Suchánek, Pavel

Special Issue "New Directions in Neo-Impressionism". Introduction

Woloshyn, Tania,Dymond, Anne

The Death of Georges Seurat: Neo-Impressionism and the Fate of the Avant-Garde in 1891

Young, Marnin

Paul Signac's Decorative Propaganda of the 1890s

Brion, Katherine

Polscy uczniowie Académie Julian do roku 1919

Zgórniak, Marek

Colonizing the C te d'Azur: Neo-Impressionism, Anarcho-Communism and the Tropical Terre Libre of the Maures, c.1892-1908

Woloshyn, Tania

Poetic Recuperations: The Ideology and Praxis of Nouveau Réalisme

Roberdeau, Wood

Fotografia na rynku aukcyjnym w Polsce

Bednarek, Anna

The symbolism of Adam Asnyk with Muse by Jacek Malczewski

Haake, Micha？

New information on the 19th century provenance of Albertinelli's Old Testament cycle

Dulibi？, Ljerka,Pasini Tr？ec, Iva

"[...] denn gute Gem lde hatte ich versprochen, gute habe ich geliefert, aber, aber [...]". Ein folgenreicher Streit um die Erwerbung eines Filippino Lippi im St delschen Kunstinstitut um 1820

Meyer, Corina

Scamozzi kommentiert Serlio

Günther, Hubertus

Photography at the Polish auction market

Bednarek, Anna

Das Ende der Welt ist nicht das Ende der Tugend. Tintorettos Jüngstes Gericht für Venedig

Wagner, Daniela

A Phenomenology of Vision: the Self-Portraits of Jean-étienne Liotard

Williams, Hannah

Quelques considérations sur le thème du présage de la Passion en Espagne. à propos d'une image "très mystérieuse de la Nativité", tableau retrouvé de Mateo Cerezo (1637-1666)

Lamas-Delgado, Eduardo

"Brushwork thick and easy" or a "beauty-parlor mask for murder"? Reckoning with the Great German Art Exhibitions in the Western democracies

Holz, Keith

Applausi festivi barriera – der Festumzug des Münchner Hofes zu Ehren Kaiser Leopolds I. im Jahr 1658

Epp, Sigrid

Phonemes, Graphemes, Dabs of Paint: Roman Jakobson, the Russian avant-garde and the search for the shared basic elements of painting and poetry

Hofstede, Bregje

Landscape Painting. Rewriting Painting in the Postmedium Condition

Gal, Nissim

"… jene, die ihre h nde hilfreich zum bau erheben …": Zur zeitlichen Konkordanz von Weihe und Bauvollendung am Beispiel der Wiener Augustinerkirche und Georgskapelle

Buchinger, Günther,Sch？n, Doris

Die Salomonische S ulenordnung. Eine unkonventionelle Erfindung und ihre historischen Umst nde

Günther, Hubertus

Georg Franz Buquoy und "La famosissima Notte"

Kone？ny, Lubomír

Jan Dzia yński i kórnicka kolekcja dzie sztuki w drugiej po owie XIX wieku – ekspozycja pomi dzy romantycznym duchem patriotyzmu a nowoczesnym uj ciem naukowym

K？udkiewicz, Kamila

"Sia funzion la rappresentazione". Carlo Lodoli and the Crisis of Architecture

Ungureanu, Cosmin

"Man müsse keine Statue Equestre machen": Abildgaard and Schadow in Copenhagen 1791

Kragelund, Patrick

Józef Czapski – about learning and teaching art

Sieroń-Galusek, Dorota

Collector at the Crossroads Jan Dzia yński and the Kórnik Collection of Works of Art in the Second Half of the 19th Century: An Exhibition between the Romantic Spirit of Patriotism and a Modern Scientific Approach

K？udkiewicz, Kamila

Labyrinth – fragments. Robert Morris and his installation for ms2 ód 2010

Hussakowska-Szyszko, Maria

A Museum Open to the Street

Jagodzińska, Katarzyna

Last Words: David's Mars Disarmed by Venus and the Graces (1824). Subjectivity, Death, and Postrevolutionary Late Style

Padiyar, Satish

O hierarhiji svetnikov na oltarnih nastavkih. Iz vizitacijskih zapisnikov ljubljanskega kofa Otona Friderika Buchheima (1641–1664)

Lavri？, Ana

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