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ISSN: 2333-9721
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Journal of Science and Technology of the Arts

ISSN Print: 1646-9798

ISSN Online:

主页: http://artes.ucp.pt/citarj

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Editorial

Carlos Sena Caires

Warburg and Poliakoff, Movement and Style (a contribution to the contemporary study of images and paintings)

Jo？o Ferreira Vale

17th century patterned azulejos from the Monastery of Santa Marta, in Lisbon

Rosário Salema de Carvalho,Alexandre Pais,Ana Almeida,Inês Aguiar

Sagres' Saga. Monument in Landscape, or Landscape as Monument?

José Guilherme Abreu

Short review of the relationship between videomusic and art

Maria Donata Napoli

A Note about Nome de Guerra: A Viagem de Junqueiro

Henrique Manuel Pereira

Ori Gersht This Storm Is What We Call Progress

Paula Barriobero

Displacing Media: LCD LAB Artistic Residency

Filipe Pais

The Memory of a Tree; An Interactive Visual Storytelling Installation

Hyunjoo Oh

The Transducer Function: An Introduction to a Theoretical Typology in Electronic Literature and Digital Art

álvaro Sei？a

Multiphonics as a Compositional Element in Writing for Amplified Guitar (2)

Rita Torres,Paulo Ferreira-Lopes

Meta Maus - A look inside a Modern Classic review

sahra kunz

The Status of Interactivity in Computer Art: Formal Apories

Jo？o Castro Pinto

“LISTENING AND REMEMBERING”: NETWORKED OFF-LINE IMPROVISATION FOR FOUR COMMUTERS

Ximena Alarcón

Editorial

Carlos Sena Caires

I LUSO-BRAZILIAN MEETING ON CONSERVATION AND RESTORATION

MARIA JOSé TáVORA

2ND INTERNATIONAL MUSICAL ITINERARIES FORUM: MUSIC AND GESTURE

HELENA FIGUEIREDO

THE PROFESSIONAL LEARNER AND PERFORMER

Florian Pertzborn

Antagonism and Mutual Dependency. Critial Models of Performance and “Piano Interpretation Schools”

Rui Cruz,Sofia Louren？o

Music, Arts and Intercultural Education: The Artistic Sensibility in the Discovery of the Other

Maria do Rosário Sousa

Editorial

álvaro Mendes Barbosa

European Piano Schools : Russian , German and French classical piano interpretation and technique

Sofia Louren？o

Cinematography and Television: Differences and Similarites

Adriano Nazareth

Untitled * Interactive Generative Installation for Visual Composition

Joana Fernandes Gomes

Luiz Costa: In Commemoration of the Fiftieth Anniversary of His Death

Christine Beir？o,Henrique L. Gomes de Araújo

FROM SINGING MATERIAL TO INTANGIBLE POETRY: THE MUSIC OF JUNQUEIRO

Henrique Manuel S. Pereira

Image , Ritual and Urban Form: Porto in the 16th Century

José Ferr？o Afonso

SMC 2009

Nicolas Makelberge,Ricardo Guerreiro,Vitor Joaquim

Music Societies in the 19th Century Oporto : Private Spaces of Amateur and Professional Music Making

Ana Maria Liberal

Mú SICA VIVA FESTIVAL CELEBRATES FOURTEEN SEASONS

Pedro Junqueira Maia

Repetitions, dichotomies and transference in European cinema of the 20s

Alexandra Serapicos

Artech 2008

Jo？o Cordeiro,Luís Gustavo Martins

ANACHRONIQUES

Maria de Fátima Lambert

Collaborative Composition For Musical Robots

Ajay Kapur,Arne Eigenfeldt,Curtis Bahn,W. Andrew Schloss

The interactive potential of post-modern film narrative - Frequency, Order and Simultaneity

Carlos Sena Caires

Virtual Restoration of a XVIII Century Sculpture

Francisco Gaitto Pereira,Jorgelina Carballo Martínez,Ana Bidarra Louren？o

Editorial

álvaro Mendes Barbosa

Case studies in live electronic music preservation : Recasting Jorge Peixinho's Harmónicos (1967-1986) and Sax-Blue (1984-1992)

António de Sousa Dias

Fundamentals and Principles of Musical Telepresence

Alexander Car？t,Christian Werner

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