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Muzikologija

ISSN Print: 1450-9814

ISSN Online:

主页: http://www.doiserbia.nb.rs/journal.aspx?issn=1450-9814

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Octoechos: A model and inspiration for Serbian medieval hymnographer

Subotin-Golubovi？ Tatjana

Hamlet - little known piece by Enriko Josif: Literary-theoretical, philosophical and musicological views

Marjanovi？ Nata？a

The ideology of Yugoslav nationalism and primordial modernism in interwar music

Atanasovski Sr？an

An enigmatic hymn for saint Petka-Paraskeva: The canon and its interpretation in the thematic replacement of chants

Harkov Stefan

From the ritual of the matins service: The insertion of poetic texts in the chant of the Polyeleos

Chaldaeakes Achilleus G.

Experiences in adapting post-byzantine chant into foreign languages: Research and praxis

Olkinuora Jaakko

Special melodic formulas in the Psalm cycles of the Vigil in Russian manuscripts of the 16th to 18th centuries

Starikova Irina

The anthologion Athos Lavra E-108: A Greek-Slavonic liturgical manuscript

Wolfram Gerda

Competitions as a form of public gusle playing performance

Laji？-Mihajlovi？ Danka

The status of chanting codices in the Serbian chant tradition

Peno Vesna

Romanian vs. Greek-Turkish-Persian-Arab: Imagining national traits for Romanian church chant

Moisil Costin

Chromaticism: A theoretical construction or a practical transformation?

Katsanevaki Athena

Music and rhetoric in ekphonesis: The neume synemba

Martani Sandra

The reception of west European music in Belgrade between world wars: On the examples of “Muzi ki glasnik” and “Muzika” magazines

Vasi？ Aleksandar

Integration and disintegration: Serbian monophony in a polyphonic context

Moody Ivan

The attitude of the state sphere towards singing associations in Serbia and Kingdom of Yugoslavia

Milanovi？ Biljana

Archives of the SASA Institute of Musicology: Collection of documents, autographs, copies, old editions of music printing and photographs

Vasi？ Aleksandar

Microfilms and photographs of neumatic manuscripts in the SASA Institute of Musicology Archives

Peno Vesna

Institute of musicology, Serbian Academy of Sciences and Arts (1948-2010)

Petrovi？ Danica

Legacy collection of composers in the SASA Institute of Musicology

Milanovi？ Biljana

Audio collection in the SASA Institute of Musicology

Laji？-Mihajlovi？ Danka

Library of the SASA Institute of Musicology

Milin Melita

The complementary nature of poetic and musical systems in ritual visits to households

Zaki？ Mirjana

Dead public spaces - live private corners: (Re)contextualization of musically public and private

Jakovljevi？ Rastko

Athens: New capital of traditional Greek music: Testimonies on musical life at the beginning of the twentieth century

Peno Vesna

The light of the word in Ljubica Mari 's music

Makevi？ Zorica

Al niente: The last opus of Vasilije Mokranjac: After a quarter of a century

Radovi？ Branka

'The Music Herald' 1922: A esthetical and ideological aspects

Vasi？ Aleksandar

On the (in)completeness of Schoenberg's oratorio die Jakobsleiter

Jeremi？-Molnar Dragana,Molnar Aleksandar

Ethnomusicologists researching towns they live in: Theoretical and methodological queries for a renewed discipline

Arau？o Samuel

'Up there is a foggy mountain': An ethnomusicological-filological contribution on a traditional song from the Kopaonik region

Jovanovi？ Jelena,Radi？ Prvoslav

Musical and film time

Kulezi？-Wilson Danijela

From communism to capitalism via the wars: The landscape of Serbian music 1985-2005

Milin Melita

Transition of Greek art song from the national school to modernism

Kontossi Sofia

Sublime and precise: Mind sonorities of Vlastimir Peri i

Stojanovi？-Novi？i？ Dragana

Post in the 'modern': Greek film music and the work of Nikos Mamangakis

Pulakis Nik

Ethnomusicological biography of the traditional folk musician: Biography of the gusle-player

Laji？-Mihajlovi？ Danka

Xenakis et le passage vers l'universel

Paparigopulos Kostas

Style and ideology: The cold war 'blend' in Greece

Romanu Keti

Dimitri Mitropoulos: Lonesome passage to modern music

Belonis Yanis

Prince of zeta by Petar Konjovi : Opera in five/four acts on the 125th anniversary of the composer's birth

Mosusova Nade？da

Balkans as a cultural symbol in the Serbian music of the first half of the twentieth century

Milanovi？ Biljana

Searching for the right form: A self-taught village player recalling performance live

Jovanovi？ Jelena

La conception en tant que transmission: L'antiquité grecque selon Albert Roussel

Georges Vlastos

Lost in scales: Balkan folk music research and the ottoman legacy

Pennanen Risto Pekka

Common scale features of the recent Greek and Serbian church chant traditions

Peno Vesna

Serbian music criticism in the first half of the twentieth century: Its canon, its method and its educational role

Vasi？ Aleksandar

Von der synoptischen zur analytischen neumatischen Notation: Am Beispiel des Sticherons von Germanos Neon Patron

Peno Vesna

Music and collective identities

Milanovi？ Biljana

Reflections on music and identity in Ethnomusicology

Rajs Timoti

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