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Totaleindruck o impresión total: La Telésfora de Aquinas Ried como proyecto político, creación literario-musical, reflejo personal y encuentro con el otro

DOI: 10.4067/S0716-27902011000100001

Keywords: opera, romanticism, immigrant, mapuche, libretto, ried.

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Abstract:

telésfora (1847) is a three-act opera written by aquinas ried. since the epoch of the chilean music historian eugenio pereira salas this work has been considered as the first lyrical drama composed in the chilean territory after the independence. the following essay discusses this point in depth on the basis of the libretto, which is the only element of this opera that has remained. the libretto reveals a concrete political project as well as a personal reflection on ried's ideas along with his encounter with chileans, germans and indigenous people of the nineteenth century. in this regard, the figure of aquinas ried reaches a wider spectrum encompassing the musical and cosmopolitan life of the city of valparaiso and the immigrants in 19th-century chile.

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