A Saga for Dinner: Landscape and Nationality in Icelandic Literature

Iceland’s attempted industrialisation through an expansion of hydropower andaluminium smelters can lead to a significant reshaping of the country’slandscapes. There has been considerable resistance against such plans since the1970s, culminating in the debate about the Kárahnjúkar project between 2001and 2006. The book Draumalandie. Sjálfshjálparbók handa hr ddri tjóe[Dreamland. A Self-Help Manual for a Frightened Nation] by the writer AndriSn r Magnason has been particularly influential. It combines ecologicalconsciousness with an appreciation of Iceland‘s literary tradition and history.Thus it displays a view of landscape which connects nature preservation closelyto cultural achievements and to national sovereignty. This perception oflandscape originates from the assumption that Iceland experienced a golden agefrom the beginning of colonisation in the Viking age until the subordinationunder the Norwegian and later Danish kings in the 13th century, which led to anall-embracing degeneration. Nationalist poets such as Jónas Hallgrímsson inthe 19th century based their demands for independence on Iceland‘s medievalsaga literature and the country‘s landscapes. These seemed to provide evidencefor a high culture in unity with nature during the time of the Commonwealth.Although the historical reliability of the sagas is doubtful, they are still used asan important argument in Draumalandie. Now the narratives as such are put inthe foreground, as they can give value and meaning to the landscapes and placesthey describe. Thus a turn from a realistic to a more constructivist perception oflandscape can be observed in contemporary Icelandic environmental literature.