Subtílne mizanscény stredoveku (Subtle Mise-en-scènes of the Middle Ages)

In her paper Anna A. Hlavá ová compares the concept of a Noh play Matsukaze with a Slovak altar painting from the Ko ice cathedral aiming to reconstruct the European medieval stage practices reflected in 15th century painting with the help of Japanese Noh where the stage continuity has been preserved until the present day.