Uno spazio tutto per sé. La poetica degli Ingolst dter Stücke dal punto di vista di Marieluise Flei er

Although the Flei er-Forschung has always emphasized the link between Marieluise Flei er and the strong personalities she worked with in the Weimar period, little attention has been paid to her active role as a playwright. This paper aims to demonstrate the original value of Flei er’s artistic project by adopting Pierre Bourdieu’s theory of cultural production. The analysis of Flei er’s “position-takings” in the Ingolst dter Stücke unravels the personal viewpoint from which her aesthetic choices are defined, as well as the “differential signification” of her poetics within the literary field.