The essence of a dead city= lü Bir Kentin Anlam

Do an n mimariyle olan ili kisi günümüzün do adan kopmu , tamam ile yapay evresinde ve kavramsal a dan karma k, her insan-bir dü ünce, her insan-bir mimari ideal bi iminde zetlenecek ortam nda ba l ba na incelenmesi, sorgulanmas gereken bir konu olarak g rünmektedir. Antik d nem Karya kentleri, hem etkileyici do al yap s , hem de i erdi i kavramsal de erler a s ndan al ma yap lacak de erde g rünmektedir. Bu ama la limanlar, surlar ve teraslar ele al nm t r. Mimari ile do a aras ndaki ili ki herhalde en iyi bir surun do al relief üzerinde izdi i izginin incelenmesi veya bir teras duvar n n e yükselti e rileri ile ili kisinin irdelenmesi ile bulunabilir.Bu irdeleme ve incelemeler sonucunda,mimari unsurlar n do a ile ili kisinin temelde yer se imleri eklinde oldu u g rülmü tür. The relationship between architecture and nature and the concept in today’s isolated and artificial environment which has become alienated to the nature and conceptually complicated, and in which the underlying thought is every man-one idea, every man one architectural ideal, is a subject that calls for rigorous analysis. Caria cities of the Antiquity seems to be worth studying both for its impressive geographical structure and the conceptual values that it possesses. Harbours, fortifications and terraces which are closely related to the shaping of nature are reviewed. Possibly the best way to understand the relationship between nature and architecture is to analyse the line a fortification draws over a natural relief or to observe the relation between a terrace wall and contour-lines. These observations show us that the underlying link between architectural elements and nature is site selection.