CINDERELA POLITICAMENTE CORRETA? UMA ANáLISE DA PARóDIA DO CONTO à LUZ DA ESTILíSTICA DA ENUNCIA O

This paper aims to undertake a theoretical discussion about parody, a language activity used mainly in humor. Our theoretical journey begins with the most common definitions of genre so that, through a linguistic/discursive look, we can dwell more precisely with its origins. This approach means to rescue, to understand and specify other kind of texts through which the parody is organized and constituted. The definition of “parallel corner” allows us to look at the parody through the dialogic conception of language, elaborated by the Russian thinker M. Bakhtin, because it is a view on language that necessarily brings out the interaction, the dialogue between texts, discourses and ideologies. Throughout the discussion, there is also an analysis of a parody version of the fairy tale Cinderella. Results of the analysis are the perception that the parody shows ideologies, patterns and behaviors inside out. Parody is a genre that serves the restless voice that somehow wants to question.