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Verso e Reverso 2013
Dialetical Images in the cinemaDOI: 10.4013/ver.2013.27.64.05 Keywords: cinema , perception , montage Abstract: This paper aims to discuss cinema as a Work of Art, its main elements, as the image technique, montage and its role as an essential factor of the aesthetic, perceptive and cognitive variation, from the advent and analyzing the Eisenstein’s intellectual montage, based on Walter Benjamin, Vilém Flusser and Christian Metz ’s theory.
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