La imagen del pensamiento en Gilles Deleuze; Tensiones entre cine y filosofía

The present article deals with the problem of the image in the philosophy of Deleuze. From the explanation of the paradox located in Deleuze’s work between the proposal of a new image of the thought and that of a thought without image, the intention is to relate this problem to the study of the cinematographic image that occupies Deleuze in the decade of the 80, maintaining the hypothesis that the finding of the image-cinema allows Deleuze to re-elaborate the concept of image to recover it in the specific area of his philosophical bet for the immanence.