La Destrucción como Teatro. El legado de Antonin Artaud

This present study analyzes the thought of Antonin Artaud through their artistic project and the revolution of their literary approaches. From a philosophical perspective, our work unfolds along five thematic axis that aim to limit the artaudian mapping: the work as a failure, the quasi-nietzschean concept of Cruelty, the relationship between theater and psychoanalysis, the importance of body in his artistic career, and the impossibility of thinking that is expressed in the artaudian writings and testimonies.