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La habitación de OzuKeywords: Yasujiro Ozu , japanese houses , film , architecture , domesticity Abstract: Through the analysis of a self-portrait of Yasujiro Ozu are identified keys of his films whose main stage is the traditional Japanese house. Beyond its function as a part of life, the domestic scene has special relevance. The argument creates situations that evidence the capability of architectural support and allow understanding the way of Nippon living and the Japanese sense of space.
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