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La experiencia como categoría en el cine de Chris MarkerKeywords: Case , experience , image , sign , thought. Abstract: We will try to organize Chris Marker’s Sans Soleil/Sin Sol as a way ofbuilding knowledge through the interpellation of images, with the notion of experience byCharles S. Peirce. At this junction between experience and the interpellation of images, wepropose the uniqueness of the French filmmaker based on the idea of cinema as an art andas a work of thinking.
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