As sonoridades e os sentidos na constru o do documentário antropológico

want to reflect on the nature of anthropological documentary from therequirements of its construction, with special emphasis on the sound. Also I intend toenunciate two organic poles of what I consider to be the construction of the essence of thedocumentary: reality as cinema and the invention of other as an object of the film andacoustic instruments of observation, the so-called synopsis of the acoustic observation ofshooting locations.