Fotografía y realidad: notas para una fenomenología del cine documental

This paper presents, from the Roland Barthes's semiotic, the regimen oftruth that make documentary cinema and photography elements of the same conceptualterritory. This is a phenomenological proposal that, by extension, defines documentarycinema as part of a cinematographic specificity that moves between two thresholds: thehighly codified cinematographic language and the referential identification.