MEHMET K F ERSOY’UN SIM ADLI R NDE K SUNUMU / MEHMET KIF’S PRESENTATION OF THE CHARACTERS IN SIM

Mehmet kif Ersoy, sanat l nda ger ek ili i ncelemesine ra men pek ok ger ek i sanat n n aksine ki ili iyle sanat l aras na s n r koymaz. Ger ek i sanat ger eklik etkisi yaratmak i in eserinde kendini gizler. kif ise tam tersine kendi sesini, anlatt ger ekli in bir par as olarak kimi zaman do rudan kimi zaman da kurgulad ki ilerle okuruna duyurur. Bunu yaparken de dramatik monologdan geni l üde yararlan r. Onun en olgun eseri olan kabul edilen s m, airin bu yakla m n rnekler niteliktedir. kif’in Milli Mücadele y llar ndaki etkili al malar s ras nda tefrika yoluyla Seb lü’r-Re ad dergisinde yay mlad ve 1924’te bas m n tamamlad s m, i eri inin yan s ra ok y nlü teknik yap s yla da nemli bir eserdir. Makalede kif’in s m adl eserindeki ki ilerini sunma bi imi “Dramatik Monolog”, “Otobiyografik Malzeme” ve “Portre izimi” ba l klar alt nda incelenmi tir.Mehmet kif Ersoy doesn’t drow boundaries between his personality and his art. In contrast to other realist artist even if he gives enough importance to the realism. The real artist conceal his personality in order to create the impact of reality. However, kif prefers to tell what he wants to say as a part of his reality directly or through the characters he creates. While dough this, he usually use the method of dramatic monologue. His master piece, s m is an example of this attitude. s m, which serial published. In the of national struggle and printed in 1924, is an important master piece in terms of both. Its content and its structure. In this article. Mehmet kif’s way of presentation of the characters in s m is analyzed under the headlines “ Dramatic Monologue”, “Autobiographic Gradients” and “Portrait Description”