The Gaze as constituent and annihilator

This article aims to join the contemporary effort to promote a psychoanalytic renaissance within cinema studies, post Post-Theory. In trying to shake off the burden of the 1970s film theory's distortion of the Lacanian Gaze, rejuvenating it with the strength of the Real and fusing it with Freudian thoughts on the uncanny, hopefully this new dawn can be reached. I aspire to conceptualize the Gaze in a straightforward manner. This in order to obtain an instrument for the identification of certain strategies within the filmic realm aimed at depicting the subjective destabilizing of diegetic characters as well as thwarting techniques directed at the spectorial subject. In setting this capricious Gaze against the uncanny phenomena described by Freud, we find that these two ideas easily intertwine into a draft description of a powerful, potentially reconstitutive force worth being highlighted.