王维的“终南山”：兼论盛唐山水诗的转型
ON the ZhongNan Mountain Poetry of WangWei and the Transformation of Landscape Poetry in the High Tang Dynasty

王维创作了一系列终南山诗歌，其中不少篇章体现了王维乃至盛唐山水诗的最高成就。全面考察《诗经》、汉赋、六朝诗歌中歌咏终南山的篇章，以此为基础，对王维的终南山诗从意象、意境及创作思维诸方面进行深入考察和解析，可以较为清晰地勾勒出山水诗产生、发展及嬗变的轨迹，由此可以更准确地把握盛唐诗歌独特的美学风格及其典范意义。盛唐诗人将不涉理路、排除知性干扰的纯自然山水诗创作发挥到了极致，为后世提供了一种极具艺术精神的思维方式与审美理想。
WangWei created a series of ZhongNan Mountain Poetry，many of which represent the highest achievements of himself and also of the landscape poetry in the High Tang Dynasty. On the basis of comprehensively examining the chapter of “ZhongNan Mountain Poetry” in the Book of Songs, Han Fu and the Six Dynasties, I made an in-depth investigation and analysis of Wang Wei's Zhongnanshan Poetry in terms of imagery, artistic conception and creative thinking. In this way, we can more clearly sketch the trail of the production, development and evolution of landscape poetry, and thus can more accurately grasp the unique aesthetic style and its exemplary meaning of poetry in the High Tang Dynasty. The poets in Prime Tang bring the pure natural landscape poetry creation which excluded the rational interference to a climax, at the same time, it provided an artistic way of thinking and an aesthetic ideal for the later generations.