Interstition Linguistic and Poetic Interspaces Through a Prism of ？a-kaj-？to on the Example of a Poetic Collection of Drago ？tambuk Kad su mi？i balali molfrinu

Sa？etak The paper portrays and analyzes the poetic collection of Drago ？tambuk ？Kad su mi？i balali molfrinu: pjesme kroz prizmu ？a-kaj-？to？ through a literary theoretical key. In a narrow linguistic sense this collection is a poetic certification of the golden formula ？a-kaj-？to, coined and relentlessly promoted by the Croatian poet, essayist, anthologist, translator, cultural worker, physician and diplomat Drago ？tambuk. The golden formula of Croatian language ？a-kaj-？to summarizes and represents/ depicts the essence of Croatian language as a three-layer language, made up of three parts (stylization or idiom/accent) Chakavian, Kajkavian and Shtokavian. This threefold frame opens a space of unlimited possibilities of poetic inventions which, as is hereto portrayed, correspond to actual processes of meta-postmodernism. The concrete poetic language of the stated collection by Drago ？tambuk, is decoded in the light of reception theory as significantly more complex when compared to the natural language, and the entire considered artistic structure is recognized as a poetic sign in the game-playing mode