ANALYSIS OF SINAN PASHA’S TAZARRU’-N？ME IN TERMS OF THE ARTIST’S PROCESS OF POETICAL EXPRESSIONS

In this article, Sinan Pasha's Tazarru’-name work will be discussed. One of the important statesmen of the period, Sinan Pasha is a personality that keeps his literary identity alive besides the effects of state administration. Thus, while examining any work related to Sinan Pasha, it would be appropriate to mention the effects of his affiliated life. His dominant understanding of state administration is also reflected in literary accumulation. The situations in which he lived and witnessed in his past are an important source of light for us in our literary works. Thus, when we examine any Sinan Pasha work, we can understand how dominant is the understanding and beliefs such as valuing person, prosperity and God belief in this work. Sinan Pasha's work titled Tazarru’-name, which is the subject of my study, is prepared with prose. Tazarru’-name is a mixed form of poetry and prose (poetry-prose), a work which is a subject and content in terms of contentment and which is in essence the value of one's morality. Tazarru’-name is a qualified example written in a fuzzy sense of prose which is one of the proscriptions. Ornate prose is a kind of narration that exploits the richness of the art of speech and art. Our work conveyed the artistic and intellectual personality of Sinan Pasha, is about the examination of the poetic values of the images in Tazarru’-name. We will begin our investigation with his life story. Then we aim to examine and evaluate the poetry skill that he put forth in Tazarru’-name. Thus, we will try to reveal the importance of these subjects in the formation of a work like Tazarru’-name by examining how Allah's appeal and human morality are described by Sinan Pasha in the literary direction