Hero’s Changing Subject Position in Film Narrative: Case Study of the Lives of Others

From the past to the present, cinematic narratives reach wide audiences through heroes/subjects who are the carriers of the story they offer. Traces of the interest and attention of the audience are drawn through the subjects of the heroic position. The audience starts the relationship of identity from the hero who is an important act in the narrative. Classical, contemporary or postmodern narratives differ in the situation regarding the construction of the hero, but it is still the subject of the most important action sought in the narrative. In this context, the examination of the heroes in terms of their subject position is important in order to make sense of the cinematic world/journey. In this context, the focus is on the hero of the subject and the object of desire that established, initiated and devised the subject’s follow-up. Another important topic discussed in this study is the elements that transform the subject to the accuracy subject to be identified. The Lives of Others film has been analysed in the context of The Actants of Narration” and “Narratives Syntax: Quartet Scheme”. The self is another important element in the name of understanding the hero’s follower, his change, and his transformation. In this context, as well as the semiological approach, Goffman is another point of view used during the analysis of the micro-sociological concepts that he formulated based on the dramaturgy principles