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OALib Journal期刊
ISSN: 2333-9721
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-  2018 

IMPLEMENTATION OF CULTURAL HERITAGE THROUGH THE MUSEUMS

Keywords: Miras, kültürel miras, müze, somut olmayan miras, müzele?tirme

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Abstract:

The people of the world are integrating civilization with their heritage. Inheritance is a real indication of what people and nations can do historically. The transformation of the inheritance of heritage and the cultural heritage inherent in her direction is the unanimous scientific result of the research in this area. In this process, the editors constitute one of the main forms of the translators. Historically, this factor had been the museum's mission and idea. According to these features, the mirrors fulfill social functions such as "memory space" and "information temple" in the society. The museum did not exist only as an institution, but also contributed to the emergence of forms of preservation and modernization of traditional and modern cultural heritage. In the context of modern globalization, the effective use of museum efficiency is one of the important th?ngs today, to accelerate the destruction of national and ethnic cultures and to protect cultural heritage from these risks. Modernization of cultural heritage is the modern priority of this process. Those who support this process attach special importance to the application of all kinds of cultural heritage activism. The mirrors are not only a storage area that is considered to be a stereotype today. Significant enlargement of the scope of modern music has created favorable conditions for the creation of new, modern forms. The museums have also started to play the role of centers of enlightenment, publicization and realization. The realization of cultural heritage, which are the museum festivals, museum mechanisms, with the active participation of contemporary cultures, is of cultural importance. Until the middle of the twentieth century, the idea that the museums were an object of material cultural heritage was prepared to update its non-abstract heritage. This crucial factor has been abused in the UNESCO Recommendation on the Conservation of Folklore in 1989, in the 1989 Covenant on the Protection of the Non-Profitual Heritage.This thesis makes it possible to understand the realization of the cultural heritage of the museums as the main aim. The use of museum methods and forms and the museumification of intangible heritage have been urgent in solving this human proble

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