FROM ANIMALISTIC MAGNETISM TO THE NEKYAIA (NECROPOLIS), FROM THE DREAM TO THE ACTIVE IMAGINATION, A FANTASTIC REALITY FORMATION; CINEMA

Fantasia, dream, imagination, delusion, hallucination! Since Benjamin Franklin has named Anton Mesmer’s hypnosis technic as ‘animal magnetism’ in 1784 to 19th century and since Freud has been developed psychoanalysis with the intervention by his hand pressing on the patient’s forehead and repeating to the patient a memory would come out and remembering the past ‘what the patient saw and remembered’ in 1892 to Carl G.Jung’s journey to the necropolis/nekyaia with dreams and delusions, and from Ferenczi’s interpretation to compete dreaming with active imagination to Moreno’s symboldrama; Gaston Bachelard as a doctor in deed, put the rules and construct theoretical philosophical basics about dreaming and fantasias. As a result, efficiency and direct usage of intrapsychic dreaming or fantasia has been activated and become structural. Cinema is the result of that theoretic, philosophic and technologic developments and graduations. Briefly, it is the representation and embodiementation of internal mental and psychic design among the world of objects and transforming them into the active moving visions and to add a narrative for all. The year of 1895 can be called as the milestone year about development of science and art in human being’s history. Same year with the Works on Hysteria has been published by Freud and Breuer together, heralds the birth of psychoanalysis as a new discipline. With this work, Freud revealed the clinical and hypothetical basics of psychoanalysis. Even the same year, Lumière brothers reflects the first movie on the wall. The world had eyewitness to a newborn art branch. Cinema, In this article, Memory and Psychicism/Spirituality are being argued and researched as representation of objects, embodiementation of objects and narrative process how they are mixed and about their basic dynamic idea