Masquerade culture is an essential part of Sekondi-Takoradi cultural
embodiment. The masquerade festival titled Ankos displays interesting costumes that have artistic elements of potent colour display and performances.
The masquerade costumes manifest intricate fabric decoration techniques for
example pleating, folding, gathering, smocking, hand and machine stitching and
the use of varied colour schemes. These decorative techniques make costume production laborious, tedious
and downtime constraints. In contributing to the innovative
approaches to creating textile designs and prints, the study explored the
inspirational possibilities of surface designs of the masquerade costume for textile
designs and prints. The art-based research design and direct observation as
research instrumentation were employed in the artistic creation for the study.
Adobe Photoshop was used in the simulation design processes. The study revealed
that the simulation design processes produced an innovative imitated visual
appearance of the masquerade costume and production processes from a
machine-stitched work to a hand-printed fabric. It is recommended that costume
makers adopt the contemporary possibility of using hand screen to print
hitherto the traditional laborious and tedious process of producing masquerade
costumes.
References
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Woodward, I. (2007) Understanding Material Culture. Sage Publications Ltd., London. https://doi.org/10.4135/9781446278987
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Micah, V.K.B. (2014) Beliefs and Practices Associated with Masquerading Culture in Winneba, Ghana. Unpublished Ph.D. Dissertations, University of Education, Winneba.
[3]
Micah, V.K.B., Donkor, E.K. and Ankrah, O.A. (2022) Traditional Beliefs and Practices in Masquerading: Effutu Context. International Journal of Culture and Art Studies, 6, 1-20. https://doi.org/10.32734/ijcas.v6i1.7413
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Sey, C. (2018) Documentary: Masquerading in Takoradi of Ghana (Ankos). Majorgist. http://www.majorgist.com
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Mcniff, S. (1998) Art-Based Research Methods. Jessica Kingsley Publisher/SAGE Publications, Inc., London.
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Gray, C. and Malins, J. (1995) Appropriate Research Methodologies for Artists, Designers & Craftspersons: Research as a Learning Process. The Centre for Research in Art and Design. 1-11. http://carolegray.net/Papers%20PDFs/cc.pdf
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Tortora, P.G. and Merkel, R.S. (2005) Fairchild’s Dictionary of Textiles. 7th Edition, Fairchild Publications, New York.
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Steed, J. and Stevenson, F. (2012) Basic Textile Design: Sourcing Ideas: Researching Color, Surface, Structure, Texture and Pattern. A&C Black Publishers, London.