赵佶《瑞鹤图》探究
A Probe into Ji Zhao’s Painting of Ruihe

宋徽宗赵佶是我国千年封建社会中拥有较高艺术造诣的皇帝之一，是使花鸟工笔画达到全盛顶峰的关键人物。正是他重视画院体制改革，不断增加画院数量，扩大画院规模，提升画家地位，使得北宋时期绘画水平远高于其他朝代。他的一系列改革促进了花鸟工笔画技法的提升，推动宋代绘画审美达到新高度。宋徽宗赵佶画作《瑞鹤图》被公认为具有极高的艺术价值，对后世绘画产生了深远影响。《瑞鹤图》内容结构新颖、意象寓意丰富，同时还包含更深层次的政治意蕴。本文就《瑞鹤图》的内容构图、色彩运用、意象寓意、理性精神、道教意识以及政治意蕴几个方面来对其进行探究。
Ji Zhao, Emperor Huizong of the Song Dynasty, is one of the emperors with high artistic attainments in our millennium feudal society, and is a key figure for the meticulous painting of flowers and birds to reach its peak. It is he who pays attention to the reform of the painting academy system, constantly increases the number of painting academies, expands the scale of painting academies, and promotes the status of painters, which makes the painting level of the Northern Song Dynasty far higher than that of other dynasties. His series of reforms promoted the improvement of the meticulous painting of flowers and birds techniques and pushed the Song Dynasty painting aesthetic to a new height. The Painting of Ruihe by Ji Zhao, Emperor Huizong of the Song Dynasty, is recognized as having a high artistic value and has exerted a profound influence on the painting of later generations. The Painting of Ruihe is novel in content structure, rich in image implication, and also contains deeper political implications. This paper probes into the content composition, color application, image implication, rational spirit, Taoist consciousness, and political implication of the Painting of Ruihe.