安吉利科绘画形式语言研究
A Study on the Formal Language of Angelico’s Painting

弗拉·安吉利科是15世纪最杰出的湿壁画画家之一。他的一生大部分时间都在佛罗伦萨工作，并且只画宗教题材。他的绘画继承了乔托与契马布埃的衣钵且受马萨乔运用建筑透视法的影响很大，但同时又开创出其别具一格的个人风格，流露出高度的宗教虔诚感与艺术纯粹性。在色彩和技法上仍然沿袭着佛罗伦萨文艺复兴早期的传统。因为他没有亲历并掌握过文艺复兴盛期的明暗法与更为严谨复杂的透视关系，以及后期威尼斯画派和巴洛克的“矫饰浮夸”，他的作品反而呈现出一种弥足珍贵的稚拙感和素朴性。本文从安吉利科代表作品的透视结构、明暗处理方法、色彩的使用和处理三个方面分析其画面的形式语言，最后对他作品流露出的个人情感进行分析。
Fra Angelico was one of the great fresco painters of the 15th century. He worked in Florence for most of his life and painted only religious subjects. His paintings inherited the legacy of Giotto and Cimabue and were greatly influenced by Masaccio’s use of architectural perspective, but at the same time created his own unique personal style, revealing a high sense of religious piety and artistic purity. It still follows the traditions of the early Florentine Renaissance in color and technique. Because he had not experienced and mastered the chiaroscuro and the more rigorous and complex perspective in the high Renaissance, as well as the “pretentious and grandiose” of the Venetian School and Baroque in the later period, his works showed a precious sense of naivety and simplicity. This paper analyzes the formal language of Angelico’s paintings from three aspects: perspective structure, light and shade processing method, color use and processing, and finally analyzes the personal emotion revealed in his works.